We get a scene of nuns in the shower and topless nuns flogging themselves. The Catholic Church was not happy with films that painted priests and the church in a bad light such as Fulci’s Don’t Torture a Duckling. Had he seen the killing? Does he want to remember the truth? This was the only time Francesco Mazzei directed after having written and produced a few films. The only key witness is a little boy who had spied on the priest through a peephole into the chapel. The inspector finds himself involved with Orchidea so there’s a chance he’s ignoring evidence that points at her. The nuns move the body so the Inspector Boito ( Massacre In Rome‘s Renzo Montagnani) and his assistant Moriconi ( Deep Red‘s Salvatore Puntillo) have issues recreating the crime scene. The only thing that stops his his heart when someone kills him in the chapel.
He’s dealing with a lot of guilt from busting his vow of chastity and gives himself a serious flogging after each hook up. Orchidea ( Women in Cell Block 7‘s Bedy Moratti) and Giulia Pisani ( The Killer Reserved Nine Seats‘ Eva Czemerys). Don Giorgio ( The Fifth Cord‘s Maurizio Bonuglia) isn’t merely having a torrid affair with one woman. The Weapon, the Hour & The Motive (1972 – 104 minutes) is a hot Catholic priest in lust tale. At least he went out with a trashy flair. This was the final film from director Giuseppe Bennati. There are also rumors about what happened at the final performance to close down the theater. There’s plenty of suspects and motivation, but there’s also the twist that this might all be supernatural.
Who could have done it? Perhaps older sister Rebecca ( The Weapon, the Hour & The Motive‘s Eva Czemerys) wants revenge since she got skipped over for getting control over the estate because Dad didn’t think a woman could handle it? Or Patrick’s daughter Lynn ( Emanuelle in America‘s Paola Senatore), There’s always the guy in the Nehru jacket that seems to be the caretaker. She’s dead and the other 8 guests are the suspects. When she puts the fake knife in her gut, someone shoves a real dagger in her back.
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Why did the family shut it down? Perhaps they didn’t want to pay to install indoor toilets? His girlfriend Kim ( Eaten Alive!‘s Janet Agren) decides to show off her acting chops to perform a scene from Romeo and Juliet on the antique stage. While it’s been around for centuries, the last real production was over a 100 years ago. Patrick Davenant ( A Bay of Blood‘s Chris Avram) has brought his friends and family over to see the old theater that has been preserved. In the middle of the night nine people show up at an old Italian estate. The Killer Reserved Nine Seats (1974 -103 minutes) is a sweet piece of Jet Set fun gone bad. While they are not landmarks of the genre, they are perfect for fans eager to digest more beyond the works of Argento, Mario Bava, Lucio Fulci and Sergio Martino. The Killer Reserved Nine Seats, The Weapon, the Hour & The Motive and Smile Before Death are great for three nights of after dinner entertainment. Giallo Essentials: Black Edition is a boxset with three films that haven’t previously been released on Blu-ray in America. There was plenty to digest as you sat back in your theater seat after a full dinner. Quite a few Giallo titles featured a certain tawdriness as characters look to expose more than just the real killer. The creeping POV camera and leather gloves on the killers were his favorite devices. When it comes to movies, a lot of the expectations of the genre have come from the works of Dario Argento. Even Perry Mason books were considered Giallo. The term Giallo came from the yellow jackets that were on mystery novels. In the early ’70s Giallo was the hot genre. The Italian film industry went hard on a genre to appease an audience eager for more. The local theater that programmed non-Hollywood blockbusters would change the film on a nearly daily basis, the same crowd would show up to see the latest cinematic offering whether it be a western, comedy, spy spoof or Giallo. Italian television at that time was a painful mess and rarely showed movies so people weren’t up for staying home to be entertained. Unlike nowadays where the same Marvel movie plays for two months, the theaters of Rome swapped their feature films after a day or two. After the film they’d grab a drink with pals before heading home and seeing if they were going to wake up in time for work as if it mattered. Head over to one of the multitudes of movie theaters in the neighborhood. Meet up with friends at an outdoor restaurant for dinner. They’d coast into the late hours of their job. This was a time when people into movies could really enjoy life. The coolest time for cinema culture had to be in Rome in the early ’70s.
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